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Dark Side of the Moon and The Wall are both easily in the top 5 of albums whose tracks are played most on the radio, and Wish You Were Here is probably somewhere up there too.
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On the one hand, anybody who has ever listened to a classic rock station has had some level of exposure to them. History has done a really strange job of treating the band's legacy, though. This is a band that makes no freaking sense, and I love them for it. Their greatest commercial successes were with a concept album that shoved classic rock and smooth jazz styles into a prog rock format, a tribute album to their original frontman (whose main feature is a 25-minute synth-based art-rock suite, split in two), and a double-length rock opera released after the punk revolution. They were one of the most technophilian bands I've ever heard in my life, relying on sound effects like mad and featuring all kinds of processed keyboard and guitar noises, yet it is extremely rare to find somebody nowadays who considers a classic Pink Floyd album "artificial" sounding. They were a band that regularly engaged in lengthy, "self-indulgent" instrumental noodling, while almost never displaying raw chops on the level of the instrumentalists of the more popular prog rock bands of the day. They were a rock band that did great songs despite melodies that were usually very good but not stellar (and I stand by that), and despite having very few "classic" riffs. They were one of the best representatives of the underground psychedelic London scene of 1967, yet unlike so many other good bands that originated in that era, they were able to successfully evolve into something better and WAY more popular, even after losing their frontman and main creative force after one album. Of the great enigmas in the culture of classic rock. Is This The Life We Really Want? (Roger Waters).The Pros And Cons Of Hitchhiking (Roger Waters).Pink Floyd Completely confused by the rating system? Go here for an explanation.